Microphones Pt.2
In the microphones world, small diaphragms and ribbon mics stand as precision tools. They are finely tuned to capture the subtle nuances of sound. This makes them ideal for capturing the intricate details of instruments, vocals, and ambient sounds. Whether you're diving into studio recording, live performances, or field recording, small diaphragm microphones and ribbons have distinctive sonic signatures, bringing a touch of vintage and authenticity to your recordings.
Microphone components to consider:
Dynamic or Condenser mic
Dynamic mics are sturdy and great for live performances. Condenser mics are more sensitive, capturing detailed nuances, making them ideal for studio recordings; these mics also require 48V phantom power.
Polar Patterns
Polar patterns describe how a microphone captures sound from different directions. Cardioid patterns pick up from the front, rejecting sound from the back. Omnidirectional microphones capture audio from every angle of the mic. These mics are ideal for capturing the ambient sound, and room tone, recording interviews, group discussions, live music, and more. Bidirectional offers a figure-eight pickup pattern; designed primarily from two opposite directions—front and rear—while rejecting sound from the sides. Often used when wanting to record two separate sources from opposite directions.
Frequency Response
Frequency response refers to a mic's ability to capture different pitches. A flat response is balanced, and suitable for accurate recordings, while a tailored response can enhance specific frequencies.
Royer 121
|
Microphone Type |
|
|
Transducer Type |
Ribbon microphone |
|
PolarPattern |
Figure-8
|
|
Frequency Response |
30 Hz – 15 kHz
|
|
Properties |
This mic has a flat frequency response, for capturing vocals and instruments with clarity. Royer 121 offers sound levels that can stand up to 135dB, ensuring your performances are as dynamic as your creativity. |
MXL R144
|
Microphone Type |
|
|
Transducer Type |
Ribbon microphone |
|
Polar pattern |
Figure-8
|
|
Frequency Response |
20Hz – 17kHz
|
|
Properties |
MXL R144 is great for horns and electric guitars. MXL R144 is not just limited to specific instruments; it's your all-in-one solution for capturing your sound. |
Neumann KM184
|
Microphone Type |
|
|
Transducer Type |
Condenser microphone |
|
Polar Pattern |
Cardioid
|
|
Frequency Response |
20 Hz – 20 kHz
|
|
Properties |
The Neumann KM184 captures the essence of acoustic instruments, whether it's the heartbeat of drums or the soulful strumming of a guitar. With an impressive 138dB overload capacity, this mic ensures dynamic performances are reproduced. |
Audio Technica 3031
|
Microphone Type |
Audio Technica 3031 (AT 3031) |
|
Transducer Type |
Dynamic microphone |
|
Polar Pattern |
Cardioid
|
|
Frequency Response |
30 Hz – 20kHz
|
|
Properties |
Audio-Technica 3031 provides pristine capture of recordings. With a wide dynamic range, this microphone unlocks the depth and clarity of your sound. The AT 3031 delivers with precision from delicate sounds to high-volume powerful sounds. Though this mic offers great sound quality for an affordable price, they were discontinued only allowing purchases through resale. |
Earthworks QTC30
|
Microphone Type |
|
|
Transducer Type |
Small diaphragm Condenser microphone |
|
Polar Pattern |
Omnidirectional
|
|
Frequency Response |
3Hz – 30 kHz
|
|
Properties |
The Earthworks QTC30 well known for its low self-noise, this microphone is your perfect partner for ambient room capture. The mic also excels at close-miking for quieter sounds and offers a natural, uncolored pick-up that captures the true essence of your audio. The Earthworks QTC30 can withstand Sound pressure levels (SPL ) of 140dB, ensuring dynamic recordings. |
